But to answer the question for myself. I stay interested in
antique stores because I have four major themes. Each is different enough from
the others that alternating prevents any boredom. And I always find a few thing
to photograph that do not fit into any of the themes—simply targets of
opportunity.
Juxtapositioning—this is a very old theme that simply happens
to apply to antique stores. When I find interesting items that can be included in
a single image I want to see if I can get them to make a statement. You would
think that with all the interesting objects available in antique stores this
would be a frequently used theme. Surprisingly it isn’t. It is actually fairly difficult
because of the variety of objects. Finding two or more together that works and
can be isolated into an interesting composition doesn’t happen that often. When
I do use it there is almost always some religious connotations involved.
Freaky Toys—I am always surprised when I look at toys in
antique stores that any of us grew up normal. Then again, maybe we didn’t. I
love freaky toys and one day hope to do something with all the photographs I
have collected. Freaky toys actually came to my interest one day when I wasn’t
finding anything of interest in a very large antique store. As I walked along
looking for inspiration I began to notice how strange some of the toys appeared.
It wasn’t a matter of simply photographing toys, although I do shoot dolls
frequently because of their human metaphor, it was the very strange toys and
there is plenty in that category.
Religious artifacts—this is a theme that goes back to
shooting in the Missions in San Antonio in 2007. It takes several different
paths but usually involves Catholic religious artifacts, predominately the
crucifix. The Price of Christ portfolio which I did a couple or three years ago
can only be done in an antique store because it requires a price tag in each of
the images. I have slacked off considerably on looking for crucifix with price
tags but I still occasionally find one that I have to photograph. Themes never
end or go away. They may go into a period of inactivity but they always there
in the back of my mind to call on when needed.
Artificial People—this is probably the most consistent
theme. I generally call it Artificial Women but I do occasionally photograph a
male manikin or bust. My favorite subject to photograph is people. Both Freaky
Toys and Artificial People are to a great extent a takeoff on photograpning
people. I will photograph anything that takes on the human form or features.
Alcy and I spent about an hour today roaming one of our
favorite antique stores out on FM2920 near where she works. Today I didn’t find
any crucifix or do much with toys, it was mostly manikins that caught my
attention.
I know that shooting in antique stores frequently would not
appeal to most photographers. I have frequently heard photographers complain
about the price tags but they don’t bother me. Yes I don’t always include tags
but when it is not avoidable it simply adds location.
I have found that shooting in antique stores is a great
place to improve the way you see light, an excellent way to learn to extract
your subject from a clutter of unrelated objects and an interesting place to practice
composition. I personally believe that my photography has improved, is
improving, as a result of working in antique stores. The truth is what I just
mentioned applies to shooting frequently in any location of interest to you. At
first you do the ‘usual’ but eventually you exhaust the usual and have to start
looking for something fresh. The farther you get from the usual, at least in my
opinion, the more likely you are to become a better photographer. At least that
is what I tell myself when I am photographing in the same location for the umpteenth
time.
Oh yes, I might mention that I was trying a new, for me,
camera technique today. I generally shoot aperture priority or manual but I was
recently reading a piece that suggested using Auto ISO, selecting both an aperture
and a shutter speed and letting the camera adjust ISO. Never worked that way so
I thought I would give it a try. Started out with f/5.6 @ 1/125 using the 35-100mm
(equiv 70-200) on the Panasonic. The first results were too dark so I went to
f/4.5 at 1/50 and that seemed to work well. When I downloaded I checked the
ISOs and was surprised to see that none went over 1600. There was a time when
anything but the native ISO presented a problem. Most new cameras handle higher
ISO very well and I was pleased with the
1600 on the Panasonic. I have Topaz
Denoise but only used it on one of the images. It’s a technique that I may play
with a little more to see how I like it.
Excellent as usual Gary.
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