First, I have recently been considering the thought that
photography is presently in a period somewhat similar to the period of time
when the f/64 School came to dominate Pictorialism which actually died early in the second decade of the Twentieth Century but amateurs continued the practice until well into the 1940’s. Actually we have been in this new phase
for a while, everywhere except in much of amateur photography.A similar time frame may not
be required for the current changes. However, it just might.
I am not sure which I find the silliest, the Rule of Thirds
or SOOC but they both have their diehard enthusiasts.
Sammons at one point, I can’t find it again to do a direct
quote, briefly suggests that reality in photography is dead—well, what so many photographers
think of as reality (it’s actually verisimilitude, an illusion of reality). He
tells a story that was relayed to him by an assistant of Ancel Adams (a member
of the original f/64 Group). Apparently Ancel received a letter from one of his
fans that had recently visited Yosemite. The fan wrote that he owned all of
Ancel's books and was very enamored with the photography. However, on visiting
Yosemite he had become very disappointed—to quote—“…the park doesn’t look that way”.
Of course, it doesn’t. Being a member of f/64 did not stop Adams from applying
the creative processes to his photography. So as much as many would like to
think of f/64 as SOOC, it was a long, long way from it. I own two Ancel Adams
prints—they are dark and moody, just like a Woodard.
There is also a
photograph Sammons took of an African lion approaching through a field of tall
grass. The original image placed the lion on the Rule of Thirds—the ‘corrected,
enhanced, final’ version is cropped to place the lion DEAD CENTER. Oh my, oh my
the sky if falling, the sky is falling—a photograph so perfectly composed
ruined by moving the subject matter dead center. If we were not approaching the
end times already that is sure to cinch it. We must all crawl under the bed.
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